![]() Interestingly, the song seems to refer not just to actual intercourse and procreation, but seems to extrapolate these processes onto psychology (intermixing/conjoining of ideological substances/artifacts creation of personas). The fluid and wave-like 'in-out' melody of the bass line might be a reference to intercourse and procreation. The song title itself, "stars and sons", might be a reference to the above idea of 'creation', which is similar to the creation of stars from disparate matter, or the creation of children from disparate biological matter. The monotony and precise rhythm of the clapping could (but I am not sure) possibly be a depiction of the synthetic/mechanical/unnatural nature of these attempts to create a semi-living thing (the 'persona') from past (semi-dead) memories of the ex-boyfriend/girlfriend. These efforts could ensure the survival of the 'persona' as a semi-living entity rather than a dead (inanimate) memory. Such attempts at synchronization could partly comprise the effort of extrapolating this 'persona' of his/her ex from past memories of him/her, as well as the effort of integrating the 'persona' into new personal experiences. The repetitive claps in the song might possibly involve the theme of 'synchronization' (people clapping hands together) - continuous attempts by this guy/girl to 'synchronize' the real personality of his/her ex and the emulated personality of the 'persona'.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |